Who are the founders of Viktor and Rolf?
Who are the founders of Viktor and Rolf?
Viktor&Rolf is the avant-garde luxury fashion house founded in 1993 by fashion artists Viktor Horsting and Rolf Snoeren. Viktor & Rolf Search ‥Search Haute Couture
What are the three pillars of Viktor and Rolf?
Viktor&Rolf Mariage represents Viktor&Rolf’s artistic interpretation of bridalwear, adhering to the three key brand pillars: Unexpected Elegance, Conceptual Glamour, and Provocative Couture. Each dress in the collection has an individual, autonomous character.
When is Viktor and Rolf bridal collection coming out?
With Viktor&Rolf Mariage Fall/Winter 2017, fashion artists Viktor&Rolf debut their first ever bridal collection – an exploration of iconic Viktor&Rolf elements inspired by classic couture influences.
How to get a touch of magic from Viktor and Rolf?
A touch of magic in your mailbox! Sign up to receive news and exclusives from Viktor&Rolf fragrances. A touch of magic in your mailbox! Enjoy member-only privileges and have the magic delivered straight to your inbox. Available for US consumers only.
Key people. Viktor & Rolf is a fashion house which specialises in creating conceptual and avant-garde designs. It was founded in 1993 by Dutch designers Viktor Horsting (born 1969, Geldrop) and Rolf Snoeren (born 1969, Dongen).
What kind of clothes does Viktor and Rolf make?
Viktor & Rolf is a fashion house which specialises in creating conceptual and avant-garde designs.
When did Viktor and Rolf move to Paris?
Upon graduation in 1992, the pair began working together and relocated to Paris. Initially, Viktor & Rolf were shunned by the fashion industry, however, the designers were received well by the art world. Subsequently, art institutions such as the Groninger Museum began to acquire garments from the designers.
When did Viktor and Rolf stop making couture?
Additionally, Viktor & Rolf created perfumes: the female fragrance Flowerbomb (2004) and the male fragrance Antidote (2006). In 2015, the designers halted ready-to-wear production and returned once more to haute couture citing that they wanted to “explore the limits of wearability, function and form.”
